‘Art’: The Mystery of the Bathing Boys

In her essay ‘Art’, Smith follows a nun and her school-group round the National Gallery. ‘How do people see pictures?’ she wonders. ‘It was such a hot afternoon, the question is such a lazy one’. Smith eavesdrops; she lolls; she daydreams. She pores over the catalogue:

Catalogues, as you see, have a language of their own, terse and evocative: “S. John, centre, facing right, wearing a lavender-grey dress. Left: S. Francis, profile right, S. Lawrence, in grey, with rose orange collar… All seated full-length on a marble seat…along the bottom of the picture a little hedge of herbs…” (‘Art’ in London Guyed (London, 1938), p. 159)

Fra Filippo Lippi, 'Seven Saints', c. 1450-3, National Gallery
Fra Filippo Lippi, ‘Seven Saints’, c. 1450-3, National Gallery. See the ‘little hedge of herbs’?

Continue reading